Have you bought The Night of the Comet yet?

You should because it is amazing. And it is about comets.* The Night of the Comet is by George Bishop. Full disclosure we went to grad school together, so I might be biased.

But here are some reviews that are not biased:

"It's the summer of '73, and the Kohoutek comet is hurtling toward Earth. The media hypes doomsday, while in a dull Louisiana backwater an obsessed science teacher becomes unraveled by his passion for the approaching mass of ice and gas. Told through the eyes of his 14-year-old son, himself tortured by passion for a new girl in town, this lyrical family saga twinkles with bittersweet humanity. As the comet becomes a laughingstock, Bishop (Letter to My Daughter) does a heavenly job telescoping the heady promise of youth tinged with the sorrow of lost dreams."—People

“Coming-of-age novels examine youthful revelations about the world—filled with cynicism and wonder and rearranged expectations—and the quality hinges on the honesty of the voice, the truth of the observations, the handling of innocence lost; Bishop succeeds on all these fronts.”—Kirkus Reviews

“Resonant . . . explores the complexities of a father-son relationship through science, astronomy, and the growing pains of adolescence. . . . Bishop’s characterizations of young Alan’s mother, father, and sister Megan are endearing and their relentless coddling of their maturing son is wincingly accurate.”—Publishers Weekly

This is Bishop’s (see how I’m using his last name as if I’m a journalist—you can trust me) second novel. His first book Letter to My Daughter resulted in my favorite Amazon review of all time:

“this book impacted my daughter's life.

just like in the book, my daughter, then 16, ran away. she escaped out the window and stole my car. i barged into her room and there wasn't a note or a clue..just this book placed on her pillow. i IMMEDIATELY knew what had happened. once it was all said and done, she enjoyed the book...even i enjoyed the book. i suppose it was her way of trying to tell me something. now, it's two years later and my daughter is 18 and in college and doing very positive things. while i'm usually not one to say music or movies influence kids, i have to say that this book did and perhaps, it wasn't a bad thing. “**

That’s right Bishop writes so powerfully you will lose all self-control. Comets be warned. You’ll stay out all night if you read this one.

Bishop also starred in the movie Teen Vamp. And more important wrote about his experiences in this article for The Oxford American. (I plagiarized this from Wendy Brenner).

So in conclusion, buy The Night of the Comet. And Letter to My Daughter. And find a copy of Teen Vamp.

*It is not “about” comets.
**This person gave the book two stars. Also this person is silly. 

Me on McSweeney's Internet Tendency IV

My piece "How to Tell If Your Dog Is a Fatalist" is up at McSweeney's Internet Tendency. Last time, it was Netflix causing the apocalypse. This time it's an important public service how-to on how to tell if your dog is a fatalist. It explains fatalism. And dogs. Also, there is a penis joke.

Me in REAL: Regarding Arts & Letters

I’ve been behind on my bragging. So my story “Divulge Nothing Save the Terror of Being” is in the current issue of REAL: Regarding Arts & Letters that’s been out for months now. It’s a great issue full of splendid stuff, including an interview with Stewart O’Nan. My story has a brief philosophical discussion of indecision. Also, there’s a house fire.

AWP Ready (Boston Edition)

I am ready for my AWP experience in Boston. I have everything I need:

√A leather bound notebook so that I can write while other people are just talking about writing. And be seen writing which is even better.

√A laptop to sit in the free Wi-Fi lobby and blog about the conference. The lobby's good because people will see me writing.

√A smart phone so that I can multitask during small talk. I might even be writing.

√An odd hat so people will look at me.

√An odd shirt or T-shirt with an odd phrase like "Pushcartoplyses" so that when people are staring straight ahead they'll look at me.

√An odd pair of shoes so that when people are looking down and don’t see my hat or shirt they will notice my shoes and look at me.

√Pre-prepared questions/comments (mostly comments, long, long comments, a speech really) that are so good they will prove that I am smarter than the people on the panel and that I should have been up there in the first place.

√A limber neck so that I can scan the Bookfair as I talk to someone in case there is someone more important I should be talking to.

√Nonalcoholic whiskey to use for shots with other writers who are using actual whiskey so that I can drink them under the table and thus prove I am a better writer.

√My wife--step one in entourage creation.

√Some red socks--I hear that's big up there.

Bring on the associated writers and writing programs.

Rereading Moby-Dick: A Quote

"...great people generally, were in the custom of fattening some of the lower orders for ottomans; and to furnish a house comfortably in that respect, you had only to buy up eight or ten lazy fellows, and lay them round in the piers and alcoves." Moby-Dick Ch. 21.

Rereading Moby-Dick: Chapters II-VII or Are We On the Boat Yet?

So are we on the boat yet? No. Not even close. Which means we’re miles (leagues?) from that white whale.

Back in grad school I had a great screen writing professor who would constantly yell, “When telling the story of Goldilocks, bring on the bears!” He was wrong. Well, he was right but also wrong. What he probably meant was get to the point, get to the action, quit navel-gazing at how sensitive a writer you are and how girls just don’t get that…hypothetically that’s what he meant. But that’s also horrible advice. What kind of shitty story would Goldilocks be if she just walked into the house and the bears immediately burst in and said, “Hey, get out of my house”? Those precious moments when Goldilocks is wandering around eating their porridge and breaking their chairs and snuggling their beds is the sweet spot--it’s glorious anticipation. Because as a reader, you know she’s going to get it. And your anticipation of what’s going to happen next is invariably better than whatever happens next.

In these chapters of Moby-Dick, we get, not just Ishmael trying out all the bear options of the whaling towns from the inns and the streets and the chapel, where we get his comic view of life, one that will be hard pressed on the Pequod, but we also meet Queequeg. Queequeq!

Rereading Moby-Dick: Chapter 1 LOOMINGS

This:

“Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off -- then, I account it high time to get to sea as soon as I can.”

How can there be a better sentence? Who doesn’t want to methodically knock people’s hats off? And that involuntary pause before coffin warehouses! That’s got to be one of my favorite sentences in the English language. That is right up there with some Joycean faintly snowfall and Cormac McCarthian horrible legions.

Enough of that, let’s talk hyphens! Is it Moby-Dick or Moby Dick? According to this, the novel is Moby-Dick with the hyphen, and the whale inside the novel is Moby Dick, no hyphen. The title was a marketing addition to the original title The Whale. So now you know. Don't knock anyone's hat off.