Me in Interfictions: A Journal of Interstitial Arts

So I had a good week. First I had a baby, a beautiful, perfect little boy (I guess technically my wife had the baby and I watched on in terror and awe). But that’s none of your business—I’m keeping him to myself—you wish you’d meet him—if you were to meet him, you’d create a competition called World’s Best Baby Ever, and you would immediately announce him the winner. But you won’t be meeting him—until he goes out into the world on his own, when he will be the ruler of the free world.

I won’t share my son with you, but I will share that I had a story published in the latest issue of Interfictions: AJournal of Interstitial Arts. True, my story “The Etiquette” has a baby sacrifice, but it was written before my actual baby, so I wasn’t working out any issues (any more than I ever am).

Aside from whatever it was I did, the issue has some excellent work by excellent writers done excellently.

There’s poetry:
Sridala Swami's "AI Winter"
Sonya Taaffe's "Double Business"
Mary Alexandra Agner's "Hypothesis Between Your Ribs"

There’s fiction:

Richard Butner’s “Circa”
Su-Yee Lin’s “What is Lost”
Kat Howard’s “To Hold the Mirror”
Tade Thompson’s “The Madwoman of Igbobi Hospital”

There’s nonfiction:
Mark Craddock's "Aerial Acrobatics and Gender Reassignment Surgery - A How-To Guide"
Inda Lauryn's "Parallels and Transitions"
Isabel Yap's "Life Is Not a Shoujo Manga"

Plus a great interview with Jeff VanderMeer and Jeremy Zerfoss, about Wonderbook.

So go read that.

One son and one story. It’s been a good week for expanding my brand.

AWP Ready (Seattle Edition)

 

I am ready for my AWP experience in Seattle. I have everything I need:

√A leather bound notebook so that I can write while other people are just talking about writing. And be seen writing which is even better.

√A laptop to sit in the free Wi-Fi lobby and blog about the conference. The lobby's good because people will see me writing.

√A smart phone so that I can multitask during small talk. I might even be writing.

√A pair of Google Glass so that I can judge the writers in the room in real time.

 

√An odd hairstyle so people will look at me.

√An odd shirt or T-shirt with an odd phrase like "Pushcartoplyses" so that when people are staring straight ahead they'll look at me.

√An odd pair of shoes so that when people are looking down and don’t see my hair or shirt they will notice my shoes and look at me.

√Pre-prepared questions/comments (mostly comments, long, long comments, a speech really) that are so good they will prove that I am smarter than the people on the panel and that I should have been up there in the first place.

√A limber neck so that I can scan the Bookfair as I talk to someone in case there is someone more important I should be talking to.

√Nonalcoholic whiskey to use for shots with other writers who are using actual whiskey so that I can drink them under the table and thus prove I am a better writer.

√My card that includes an ad for my AWP erotic thriller just up on Amazon.

√A rain jacket.

Bring on all the writers and writing programs that are associated.

Me in Thumbnail Magazine

So my piece "14 Ways to Save According to Somebody on the Internet" is ironically not on the Internet but in the latest print issue of Thumbnail Magazine, which you should buy here. Buy it for all these fine reasons:

In Thumbnail Magazine's fifth annual collection of quality flash fiction, Ben Tanzer and the team from This Blog Will Change Your Life take charge. New stories are complemented by street art collected by Adam Lawrence and musical selections by Jason Behrends, with stories by Lauryn Allison, David S. Atkinson, Lauren Becker, Ryan W. Bradley, Spencer Dew, Jason Fisk, Jessi Lee Gaylord, James Grinwis, Rachel Hyman, Kyle Hemmings, Joseph G. Peterson, S. Craig Renfroe, Megan Stielstra, David Tomaloff, and Cyn Vargas. This collection also includes Morgana McLeod’s “Cotton Candy Miracles,” 2013 winner of Thumbnail’s No-Fee Flash Fiction Competition, judged by Sean Lovelace.

 

 

Ulysses in 18 Cartoons

Not having a midlife crisis? Not wanting to read a book that almost demands reading other books? Have approximately ten minutes?

Go here for 18 animated cartoons that sum the whole thing up.

Books I've Bought Because of Ulysses

So my midlife crisis is taking the form of reading James Joyce’s Ulysses, which is an excellent excuse to buy more books.

1. As I’ve already pointed out, picking an edition of Ulysses is hard. And so I ended up buying the Modern Library version for my reader’s copy.

2. I know this person here would argue that you should just go it alone to get the true enjoyment out of the Ulysses, but I’ve tried that before. Granted this time has been easier (do I just remember stuff from the before?). Let’s face it, I’m academic at heart. I like reading annotations. So I bought Gifford’s Ulysses Annotated. And for good measure I got The New Bloomsday Book by Harry Blamires (3^rd edition).  

3. I happened to find cheap copies of Chester G. Anderson’s James Joyce and His World and Edna O’Brien’s James Joyce.

4. For good measure, I bought a three volume set of James Joyce’s letters. I found a first edition set on eBay. I wanted the three volume one so I got both Stuart Gilbert and Richard Ellmann edited letters. My friend Mel Clayton turned me on to collecting writer’s letter collections. There’s something comforting glancing through and seeing Joyce complain about money and how the writing’s going. And, of course, the dirty letters.

5. I’ll write later about all the collector’s copies I had already acquired, am acquiring, and would like to acquire.

Ulysses has already given me so much—mainly a reason to get more books. The only thing better than reading is book collecting.

A Ulysses Podcast

I've started Frank Delaney's Re: Joyce a podcast where he says: "I mean to go through it sentence by sentence if I have to, in order to convey the full brilliance of this novel - and the enjoyment to be had from it - I'll be podcasting for some time to come!"

The only problem is that he's not done and won't be for years. Maybe I should slow down my reading. A sentence a day. A word. A letter.

Just read the letter "L"--I'm done for the day.

Choosing an Edition of Ulysses

As you may or may not know, I'm having a midlife crisis and therefore reading James Joyce's Ulysses. First I had to pick the right version. Here's a better post about this subject than I'll be able to do. After reading about the editions I thought I was set for the Gabler, and then at the last minute, confounded by the controversy (and frankly disturbed by the aesthetic of the Gabler), I chose the Modern Library version. So take that Gabler! Go fuck yourself. Yeah.

Actually I picked the ML because the above said it lies open flat. It does (see picture). Nice.

Also, I'm not on that page. I'm on page 5. My plan is to read it slowly. Like four pages a day slow. So that I started it on my 40th birthday and I'll finish on Bloomsday in June.